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| | Mini Biography | |
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indiangirl Admin
Posts : 681 Join date : 2010-09-09 Age : 69 Location : Greensburg, Pa
| Subject: Mini Biography Sat Jan 15, 2011 1:22 pm | |
| Biography for
Ray GoldrupMini BiographyRay Goldrup received the award for Best Screenplay for the motion picture Windwalker at the San Francisco Indian Film Festival; a commendation from Pres. Carter's Committe On Mental Retardation for his two-hour The Innocent, on TV's weekly episodic drama series How the West Was Won; wrote and sold over 200 stories for the international children's magazine The Friend; a half-hour TV animated show, The Other Wise Man, for Bonneville International; did some polish work on the script for Joseph Smith: Prophet of the Restoration, now showing at the Legacy Theater in Salt Lake City; a number of short dramatic films for The Church of Jesus Christ of Latter-Day Saints; wrote a novel for Horizon Publishers called Then Came Charlie, & a novella for RIC Publishing--Me an' Percy Crump; wrote the 3-Act play, The Last Bell. Currently seeking funding for several of his screenplays, to co-produce with his two actor brothers Tom & Jim Goldrup.
Last edited by admin on Thu Jan 20, 2011 9:58 pm; edited 1 time in total | |
| | | tomgoldrup Admin
Posts : 1756 Join date : 2010-09-10 Age : 81 Location : California
| Subject: Re: Mini Biography Sat Jan 15, 2011 2:55 pm | |
| Ray also won the Golden Spur Award for the best Western teleplay of the year for his script, The Innocent, an episode for the tv series, How the West was Won; and for an episode of The Waltons in which Ron Howard played a boy dying from Lukemia (I think it was) and how his friend (Jon Walmsley, one of the Walton boys) had to deal with the idea of losing his best friend (loosely based on fact when Ray had a good friend during their childhood days) this show was chosen to play at a large Canadian hospital for terminally ill children to help them cope with their afflictions. The play, The Last Bell, almost a one-man play about an old poet battling with his conscience on wether he should speak out his convictions in a society ruleed by the state where religion is outlawed. We put it on in Petaluma, California back in 1972 when Ray directed, Jim played the poet and I played a man with my two young children who finds refuge at the old poet's place. We did it again near Santa Cruz, CA., in 1984 with Jim again playing the poet, Ray played a man convicted by the state and executed for speaking out his belief, and I played the refugee with the two children and also directed. We had good reviews both times and Ray's writing received critical acclaim. Yep, this may be his brother writing, but Ray is a dang good writer. When How the West was Won plays on the Encore western channel you can sample his writing in the two episodes in the final season that he wrote..."The Innocent" & "The Forgotten." Tom. | |
| | | indiangirl Admin
Posts : 681 Join date : 2010-09-09 Age : 69 Location : Greensburg, Pa
| Subject: Re: Mini Biography Thu Jan 20, 2011 10:00 pm | |
| In the works as of January 20, 2011 Ray Goldrup
On Broken Wings
—Synopsis—
A contemporary, layered, coming of age story with a unique difference; an earthy, human drama set in a small backwater town, inspired by true events.
Themes include the worth of the individual soul, choices, courage, friendship, betrayal, forgiveness, acceptance, & the belief that one is different only to the extent that he or she is his or her self and not everyone else.
Ramie Hargrove, a 15 year-old only child, newly-arrived with his mother—the two having fled an abusive father/husband respectively—in the small, remote town of Warfield. Lonely {Michelle, his mother, working two-jobs to keep them afloat; & when she is home, is too exhausted to do anything more than collapse} and friendless, Ramie is desperate for peer-aged companionship.
He finds favor/falls in with a group of self-defined elite youths who call themselves the Warfield Wolverines, ruled over by a very intelligent and wily controller; a guileful, volatile, and, unbeknownst-to-the-others, unstable Dorian Bromley, 15. Dorian becomes very fond of Ramie—--not to mention the fact that Ramie, once he is indoctrinated into the strict-ruled “brotherhood”, has the potential of being very useful to the club; the others like him, too, & he is a uniting force.
Suddenly Ramie is in 7th heaven, surrounded by fast friends, socially prominent among his peers. They do everything together. He is one of the chosen few, under a strict oath wherein each member looks out for the other {kind of like a teen “mafia”, if you will, in terms of effectuated camaraderie, though not a gang} & do nothing without club permission & mutual participation.
A romantic interest blossoms between Ramie & fellow club member Rosella Knight that further lifts him to greater heights of euphoria.
Enter Billy Aylsworth, a 15 year old mentally challenged youth who lives with his father {mother deceased}, their relationship strained at best. Billy’s simple & profound Edenic regard for all living things {“the big, the little and the otherwise”} finds him in dire conflict not only with Warfield’s locals but with the law itself, yet helpless to act otherwise because of that singular devotion to, & fiercely guarded passion for the preciousness of life & his rescue of any & all sentient beings in harm’s way. As he further declares, “God wouldn’t take the time to make anything he didn’t love.” So “stealing” lobsters from a tank in the meat dept. of the local grocery to save them from a boiled-to-death fate is something he regards as a noble act. His “weird/anti-social behavior”, plus the fact that he’s “crookedy in the head” of course spawns whispers, pointed fingers & unwanted embarrassment & humiliation to his father, Doolin—who fears what others think/how it makes him look in their eyes: As he states, in part, “For my son, blighted by his crippling disability, to survive socially, he must conform to the norms of society! How do you think his strange and unacceptable ways reflect on me? Bad enough he’s different from everybody else, has the mind of a seven year old, doesn’t fit in, without what he… “
Billy is essentially an inadvertent, involuntary misfit in a town governed by “normalcy” & folks who look down their noses at anyone—young or old—who are “different”/behave contrary to accustomed social behavior.
Billy is not so intellectually handicapped that he doesn’t understand prejudice, indifference, hurt, and verbal derision. As he states, “How smart does somebody got to be to feel?”
He is a loner, the proverbial round peg in the square hole, & friendless {except for the creatures he rescues &, initially, an old outcast/drifter he calls Mr. Tom}. The blunt of cruel jokes, he is estranged by the one person he aches to have love him back: His father… though, as alluded to, Billy has an innate love for him {and everyone & everything, both friend & foe alike; such is his nature}.
Ramie finds occasion to feel sorry for the Aylsworth boy after an incident
in which Ramie & his fellow peers cruelly taunt the boy, but he is restricted by club rules to associate with anyone who would make the club look bad or is unacceptable in their eyes. As Rosella says, “That re-tard is so not one of us.”
Events worsen when Ramie finds himself in unexpected company with Billy {helping him save tadpoles in isolated pockets of water in a drying creekbed and removing them to a pond in the woods}, wanting to secretly make up for his wolfish behavior, & then be done with the youth. After all, the kid is retarded & just plain weird.
Ramie is overseen by two of the Warfield Wolverines & put on trial by the club at their headquarters in an old abandoned warehouse. At risk of becoming once again a nobody in town, Ramie begs forgiveness by Dorian & the others, promising to adhere to the club oath & dictates, & he, after heavy chastisement, is once again embraced, physically by a smiling Dorian {who fears if well-liked Ramie is disbarred from the brotherhood it might weaken his hold on the others} who whispers in Ramie’s ear—in a tone that chills Ramie to the center—“Just don’t piss me off again.”
Ramie realizes that associating with Billy, anyway, is essentially being alone—the Alysworth kid is not on his level of understanding or enjoyment in mutual fellowship, let alone socially accepted by anybody else. Besides, Billy’s father doesn’t want Ramie in his son’s company after the two get in trouble with the local police {unbeknownst to the Warfield Wolverines} involving an incident with an injured fawn in the woods in the which a broken police car window is the result, & Billy takes the blame for Ramie who, in a moment of anger, throws a rock at the vehicle—--Ramie doesn’t speak up, afraid if the police knew it was him, word would not only get to his mother but be picked up by the Wolverines as well & it would put him in dire jeopardy with his continuance in the brotherhood . Doolin rages into Ramie, saying, in effect, it’s hard enough raising a boy like Billy without having a so-called friend of his son assist him in his unlawful & unacceptable acts.
To insure the Aylsworth kid stays away from Ramie, Dorian & company put Billy through a terrible beating, laced with residual threats, in a downstairs high school locker room.
Mr. Tom {Thomas Clanton} comes to Warfield {a pariah/drifter in rags}, with his own bag of issues {taking up residence in an abandoned shack house/chicken coop}, mostly a malignant pain at his having lost his only child, a son, years before to an illness. He was becoming a doctor & was unable to save his son. His wife, disillusioned, left him, & he hit the road in a feeble attempt to get shuck/lost of himself. Finally ending up in Warfield where he eventually finds redemption in Billy Aylsworth. Billy becomes like the son he had lost. Billy, discovering Thomas is a doctor, begins bringing hurt animals he happens on in his trampings about town & the nearby woods {a rabbit, a field mouse, a bird, etc.} to Old Mr. Tom for repair, and by losing himself in this effort, Thomas is able to partly assuage his old demons. Those creatures Old Tom is unable to save, Billy buries in his secret, well-tended graveyard in the woods. Billy later shows Ramie the little cemetery, excited & astonished that Ramie actually wants to be his friend.
Dorian & some of the other club members catch a wild bird, are about to pour gasoline on it in a vacant field, and, for a bizarre rush, set it afire & let it loose for a fiery, airy death. Ramie is delivering newspapers on his bike, spies the imminent act, along with sighting Billy not far away {unseen by Dorian, et al} preparing to chuck rocks at the others in an effort to distract them & hopefully cause them to lose hold of the bird.
Ramie, not wanting to lose his friends, but realizing the Alysworth youth will get pummeled to a pulp by the others for interfering, must make a choice. He joins Billy & reluctantly aids him. Rocks pelt the youths, the bird escapes to Billy’s jubilation. They are pursued on bikes. Dorian & the others eventually find Ramie behind a dilapidated factory, a fight ensues, Ramie badly beaten, taken & put on trial again in the club warehouse, a trial in which he dramatically defends not himself but boldly & fiercely speaks in behalf of Billy Aylsworth in a very moving & powerful speech {Ramie realizing to the hilt how wrong he’s been in his treatment of a very special youth}, but is voted guilty as charged.
Ramie loses not only his membership in the “brotherhood”, his girlfriend who blasts him for, in effect, choosing a retarded kid over her, but is put through a gauntlet of sorts {a run in the woods in which he is pursued by club members in painted faces &, when caught, “tarred” & feathered}. He goes to Old Tom for treatment {Billy is also there}, and collapses; doesn’t want his mother to know what happened.
Situations intensify, and following a cruel, heartless prank, Billy saves the life of his nemesis Dorian Bromley to the latter’s dumfoundedness: Billy, Dorian’s unlikely deliverer, rescues the latter from the lethal fangs of an immense, provoked diamondback rattler, Billy amazingly “eye talking” the thing into a peaceful retreat. Dorian, almost speechless asking, “Why did you save me, after everything I have done to… ?” Billy answering simply, wondering why Dorian would even ask, “Because you needed help.”
Tragedy strikes unexpectedly, but in the end, lives are changed forever… for the better… and we witness, as an adult Ramie says, “How curious at times is Justice’s sure and wily hand.”
The story would carry a PG rating/slated for family fare, with inherent traditional family values, and will be feature-length {approx. 90 minutes}. | |
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